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ARTICLE

The Voice of Resistance: The Contributions of the Freedom Singers to the Civil Rights Movement and Their Legacy in Contemporary Movements

  • Editions Francisco : 38-65
Discipline : Langues et littératures
Auteur(s) :
Auteur(s) tagués : MALGOUBRI Harrouna
Renseignée par : MASSIMBO Wôkoudo Marcel

Résumé

The Black Freedom Movement magnificently embodied African American cultural traditions. Singing, for example, has been and remains a unifying factor that binds
people of diverse origins and social backgrounds together in their quest for equality and social justice. During marches, demonstrations, and even in prisons, African
Americans sang to ease their frustrations and sustain their hopes of a better and brighter future. From the mid-twentieth century up to today’s Black Lives Matter Movement events, music has been the very means through which black people have voiced their frustrations, challenges, and aspirations in their continuous
resistance against racism and discrimination. Qualified as freedom songs, they were a blend of spirituals, gospel hymns, and slaves’ songs. The Freedom Singers,
a quartet of young black activists of the Student Nonviolent Coordinating Committee (SNCC), used their voices to mobilize and empower African Americans
to commit to the tedious battle for equality. Diverse titles, such as “We Shall Overcome” or “Go Tell It on the Mountain,” have become unofficial anthems of the
black resistance, functioning as rallying cries for many. Through a critical consciousness approach that encompasses critical reflection, critical motivation, and critical action, this article analyzes the historical significance of songs in the Black Freedom Movement.

Mots-clés

Songs, Education, Cultural preservation, Mobilization, Call-and-response

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